Adelita Husni-Bey is an artist and pedagogue invested in anarcho-collectivism, theater, and critical legal studies. She organizes workshops and produces publications, broadcasts, and exhibition work using non-competitive pedagogical models through the framework of contemporary art. Involving activists, architects, jurists, schoolchildren, spoken-word poets, actors, urbanists, physical therapists, students, and teachers, her work consists of making sites in which to practice collectively. Her work was part of the Italian pavilion at the 57th Venice Biennale, Venice, 2017, and her most recent solo exhibition was These Conditions, 2022, Brooklyn Army Terminal, New York for Vera List Center fellowship program with a project centred on the radical changes in social relations brought about by responses to past and current pandemics and Maktspill, Kunsthall Bergen, 2020. She has participated in Trainings for the Not Yet, BAK, Utrecht, 2020, Being: New Photography 2018, Museum of Modern Art, New York, 2018; Dreamlands, Whitney Museum of American Art, New York, 2016; The Eighth Climate, 11th Gwangju Biennale, 2015; Really Useful Knowledge, Reina Sofia Museum, Madrid, 2014.