LAVERONICA

Uriel Orlow

Uriel Orlow lives and works between Lisbon, London and Zurich. He studied at Central Saint Martins College of Art & Design London, the University of Geneva, the Slade School of Art/University College London and UAL, completing a PhD in Fine Art in 2002.

Uriel Orlow is the recipient of the 2023 Swiss Grand Prix for Art / Prix Meret Oppenheim. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennial prize. He also received a ‘Werkjahr’ award from the City of Zurich in 2015 and three Swiss Art Awards at Art Basel (2008, 2009, 2012) and was shortlisted for the Jarman award in 2013.

In 2020 Archive Books is publishing his monograph Conversing with Leaves, in 2019 Shelter Press published Soil Affinities and in 2018 Sternberg Press published Theatrum Botanicum.

Uriel Orlow’s practice is research-driven, process-oriented and often in dialogue with other disciplines and people. Projects engage with residues of colonialism, spatial manifestations of memory, social and ecological justice, blind spots of representation and plants as political actors. His multi-media installations focus on specific locations, micro-histories and forms of haunting. Working across installation, photography, film, drawing,  sound and gardens his works bring different image-regimes and narrative modes into correspondence.

Uriel Orlow’s work has been presented at major survey exhibitions including in 2022 at the Berlin Biennale, British Art Show 9, Kochi-Muziris Biennale, Kathmandu Triennale 2077 and 14th Dakar Biennale and previously at the 54th Venice Biennale, Manifesta 9 & 12 in Genk and Palermo, Lubumbashi Biennial VI, 13th Sharjah Biennial, 7th Moscow Biennial, 8th Mercosul Biennial amongst others.

Notable and recent solo exhibitions include Casa da Cerca, Almada (2022–2023), Kunsthalle Nairs Switzerland (2021), La Loge, Brussels; State of Concept, Athens (both 2020), Kunsthalle Mainz (2019-2020), Tabakalera, San Sebastian and Villa Romana Florence (2019), Kunsthalle St Gallen Switzerland, Market Photo Workshop Johannesburg and Les Laboratoires d’Aubervilliers Paris (2018), PAV Turin (2017), The Showroom London (2016), Castello di Rivoli (2015).
Orlow’s work has also been shown in film festivals, museums and galleries internationally including at Locarno Film Festival, Oberhausen Film Festival in London at Tate, ICA and Gasworks and Whitechapel Gallery; in Paris at Palais de Tokyo, Fondation Ricard, Maison Populaire, Bétonsalon; at Württembergischer Kunstverein Stuttgart; Project Arts, Dublin; and in Mexico City; Chicago, Vancouver; Cairo, Cape Town, Melbourne and elsewhere.

Orlow has taught at art colleges internationally including Goldsmiths University of London; Central Saint Martins College of Art & Design, London; HEAD – University of the Arts Geneva, Royal College of Art, London. He is currently reader (associate professor/ senior researcher) at University of Westminster, London and docent at ZHdK, the University of the Arts, Zurich.

BIO
Ghost Weeds

Ghost Weeds, 2022

print on Hahnemühle Baryta paper
30 × 30 cm

Ghost Weeds

Ghost Weeds, 2022

print on Hahnemühle Baryta paper
30 × 30 cm

Ghost Weeds

Ghost Weeds, 2022

print on Hahnemühle Baryta paper
30 × 30 cm

Olive Tree, Cassibile, Sicily

Olive Tree, Cassibile, Sicily, 2018

part of the ongoing series The Memory of Trees, black and white photograph
150 × 120 cm

Untitled #1 (Wishing Trees)

Untitled #1 (Wishing Trees), 2018

part of the ongoing series The Memory of Trees, black and white photograph
40 × 26 cm

Wishing Trees

Wishing Trees, 2018

8-channel video, 2 black and 2 black and white photographs, framed 40 x 26 cm each one

Wishing Trees

Wishing Trees, 2018

3 chromgenic photographs
60 × 40 cm

The Crown against Mafavuke

The Crown against Mafavuke, 2016

single channel video with audio
18‘41‘‘

THE FAIREST HERITAGE

THE FAIREST HERITAGE, 2016

Single channel video
4’ 18”

Bounds (#2)

Bounds (#2), 2015

Chromogenic photograph mounted on diasec
60 × 90 cm

Bounds (#3)

Bounds (#3), 2015

Chromogenic photograph mounted on diasec
60 × 90 cm

Prisoners in the Garden

Prisoners in the Garden, 2015

photo (cm 150x100 cm), slide projection with 81 slide

The Squirrel’s Revenge

The Squirrel’s Revenge, 2015

seed, concrete plinth  and framed photo (62x41cm)

Deep Opacity

Deep Opacity, 2014

Archival pigment print on Hahnemüle photorag mounted on plywood
15 × 21 cm

Deep Opacity: Collecting Policy

Deep Opacity: Collecting Policy, 2014

c-print mounted on wall 25 x 82 cm three archival pigment prints mounted on plywood 14.85 x 21 cm each, shelf

Deep Opacity: New Acquisitions, 1952

Deep Opacity: New Acquisitions, 1952, 2014

c-print mounted on wall 25 x 82 cm three archival pigment prints mounted on plywood 14.85 x 21 cm each, shelf

Double Vision - Native Plants

Double Vision - Native Plants, 2013

Hand-tinted silver gelatin print
24 × 29 cm

Double Vision - Native Plants

Double Vision - Native Plants, 2013

Hand-tinted silver gelatin print
24 × 29 cm

Double Vision - Native Plants

Double Vision - Native Plants, 2013

Hand-tinted silver gelatin print
24 × 29 cm

Still Aftershock

Still Aftershock, 2013

Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm

Still Aftershock (1)

Still Aftershock (1), 2013

Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm

Still Aftershock (3)

Still Aftershock (3), 2013

Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm

Still Aftershock (4)

Still Aftershock (4), 2013

Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm

Still Aftershock (6)

Still Aftershock (6), 2013

Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm

Unmade Film - The Closing Credits

Unmade Film - The Closing Credits, 2013

16mm projection, 6' 58'' loop

Unmade Film - The Proposal

Unmade Film - The Proposal, 2013-2015

lecture performance 45’

Unmade Film - The Score

Unmade Film - The Score, 2013

AUDIO 45‘

Unmade Film - The script

Unmade Film - The script, 2013

Series of 60 drawings, pencil on paper
21 × 29 cm

Unmade Film - The Voiceover

Unmade Film - The Voiceover

Surround sound, dimming light
29‘30‘‘

Unmade Film: The Storyboard

Unmade Film: The Storyboard, 2013

Drawings. Booklet 28x22 16 pages
22 × 28 cm

Dream of the Future (Mayakovsky)

Dream of the Future (Mayakovsky), 2012

photogravure
35,7 × 48 cm

Unmade Film - The Reconnaissance

Unmade Film - The Reconnaissance

Audio, 7‘30", wall paper, sandbox

Unmade Film - The Staging

Unmade Film - The Staging, 2012

HD VIDEO
9‘30‘‘

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still

Unmade Film: The Still, 2012

archival print on Baryta paper, framed
36 × 36 cm

Unmade Film: The Still(10)

Unmade Film: The Still(10), 2012

archival print on Baryta paper, framed
36 × 36 cm

Etats des lieux

Etats des lieux, 2011-2012

Pigment ink on paper
100 × 75 cm

Etats des lieux

Etats des lieux, 2011-2012

Pigment ink on paper
76 × 50 cm

Etats des lieux(untitled) b

Etats des lieux(untitled) b, 2011-2012

Pigment ink on paper
100 × 75 cm

Holy Precursor

Holy Precursor, 2011

HD video with sound
14‘13"

AK47

AK47, 2010

Archival pigment print on Hahnemule paper
21 × 32,5 cm

Mike

Mike, 2010

acrylic on canvas
30 × 30 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 24,5 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 42,5 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 55,5 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 42,5 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 24,5 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 42,5 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 42,5 cm

Porous Present

Porous Present, 2010-2014

c-print
32,5 × 55,5 cm

Remnants of the Future

Remnants of the Future, 2010

HD video with sound
18‘17"

Untitled (Production Still #2)

Untitled (Production Still #2), 2010-2011

Pigment ink on paper
90 × 73,5 cm

Untitled (Production Still #3)

Untitled (Production Still #3), 2010-2011

Pigment ink on paper
90 × 73,5 cm

Waterlocked

Waterlocked, 2010

Four archival prints on Baryta paper
14 × 70 cm