Uriel Orlow
Uriel Orlow lives and works between Lisbon, London and Zurich. He studied at Central Saint Martins College of Art & Design London, the University of Geneva, the Slade School of Art/University College London and UAL, completing a PhD in Fine Art in 2002.
Uriel Orlow is the recipient of the 2023 Swiss Grand Prix for Art / Prix Meret Oppenheim. In 2020 he received the C. F. Meyer Prize and in 2017 he was awarded the Sharjah Biennial prize. He also received a ‘Werkjahr’ award from the City of Zurich in 2015 and three Swiss Art Awards at Art Basel (2008, 2009, 2012) and was shortlisted for the Jarman award in 2013.
In 2020 Archive Books is publishing his monograph Conversing with Leaves, in 2019 Shelter Press published Soil Affinities and in 2018 Sternberg Press published Theatrum Botanicum.
Uriel Orlow’s practice is research-driven, process-oriented and often in dialogue with other disciplines and people. Projects engage with residues of colonialism, spatial manifestations of memory, social and ecological justice, blind spots of representation and plants as political actors. His multi-media installations focus on specific locations, micro-histories and forms of haunting. Working across installation, photography, film, drawing, sound and gardens his works bring different image-regimes and narrative modes into correspondence.
Uriel Orlow’s work has been presented at major survey exhibitions including in 2022 at the Berlin Biennale, British Art Show 9, Kochi-Muziris Biennale, Kathmandu Triennale 2077 and 14th Dakar Biennale and previously at the 54th Venice Biennale, Manifesta 9 & 12 in Genk and Palermo, Lubumbashi Biennial VI, 13th Sharjah Biennial, 7th Moscow Biennial, 8th Mercosul Biennial amongst others.
Notable and recent solo exhibitions include Casa da Cerca, Almada (2022–2023), Kunsthalle Nairs Switzerland (2021), La Loge, Brussels; State of Concept, Athens (both 2020), Kunsthalle Mainz (2019-2020), Tabakalera, San Sebastian and Villa Romana Florence (2019), Kunsthalle St Gallen Switzerland, Market Photo Workshop Johannesburg and Les Laboratoires d’Aubervilliers Paris (2018), PAV Turin (2017), The Showroom London (2016), Castello di Rivoli (2015).
Orlow’s work has also been shown in film festivals, museums and galleries internationally including at Locarno Film Festival, Oberhausen Film Festival in London at Tate, ICA and Gasworks and Whitechapel Gallery; in Paris at Palais de Tokyo, Fondation Ricard, Maison Populaire, Bétonsalon; at Württembergischer Kunstverein Stuttgart; Project Arts, Dublin; and in Mexico City; Chicago, Vancouver; Cairo, Cape Town, Melbourne and elsewhere.
Orlow has taught at art colleges internationally including Goldsmiths University of London; Central Saint Martins College of Art & Design, London; HEAD – University of the Arts Geneva, Royal College of Art, London. He is currently reader (associate professor/ senior researcher) at University of Westminster, London and docent at ZHdK, the University of the Arts, Zurich.
Ghost Weeds, 2022
print on Hahnemühle Baryta paper
30 × 30 cm
Ghost Weeds, 2022
print on Hahnemühle Baryta paper
30 × 30 cm
Ghost Weeds, 2022
print on Hahnemühle Baryta paper
30 × 30 cm
Olive Tree, Cassibile, Sicily, 2018
part of the ongoing series The Memory of Trees, black and white photograph
150 × 120 cm
Untitled #1 (Wishing Trees), 2018
part of the ongoing series The Memory of Trees, black and white photograph
40 × 26 cm
Wishing Trees, 2018
8-channel video, 2 black and 2 black and white photographs, framed 40 x 26 cm each one
Wishing Trees, 2018
3 chromgenic photographs
60 × 40 cm
The Crown against Mafavuke, 2016
single channel video with audio
18‘41‘‘
THE FAIREST HERITAGE, 2016
Single channel video
4’ 18”
What Plants Were Called Before They Had A Name, 2016
5.1 Audio
22‘ 40"
Bounds (#2), 2015
Chromogenic photograph mounted on diasec
60 × 90 cm
Bounds (#3), 2015
Chromogenic photograph mounted on diasec
60 × 90 cm
La storia è il futuro il futuro è storia, 2015
neon
150 × 15 cm
Prisoners in the Garden, 2015
photo (cm 150x100 cm), slide projection with 81 slide
The Squirrel’s Revenge, 2015
seed, concrete plinth and framed photo (62x41cm)
Deep Opacity, 2014
Archival pigment print on Hahnemüle photorag mounted on plywood
15 × 21 cm
Deep Opacity: Collecting Policy, 2014
c-print mounted on wall 25 x 82 cm three archival pigment prints mounted on plywood 14.85 x 21 cm each, shelf
Deep Opacity: New Acquisitions, 1952, 2014
c-print mounted on wall 25 x 82 cm three archival pigment prints mounted on plywood 14.85 x 21 cm each, shelf
Double Vision - Native Plants, 2013
Hand-tinted silver gelatin print
24 × 29 cm
Double Vision - Native Plants, 2013
Hand-tinted silver gelatin print
24 × 29 cm
Double Vision - Native Plants, 2013
Hand-tinted silver gelatin print
24 × 29 cm
Still Aftershock (1), 2013
Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm
Still Aftershock (2), 2013
Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm
Still Aftershock (3), 2013
Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm
Still Aftershock (4), 2013
Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm
Still Aftershock (6), 2013
Archival pigment print on Hahnemuhle paper
40,2 × 26,8 cm
Unmade Film - The Closing Credits, 2013
16mm projection, 6' 58'' loop
Unmade Film - The Proposal, 2013-2015
lecture performance 45’
Unmade Film - The Score, 2013
AUDIO 45‘
Unmade Film - The script, 2013
Series of 60 drawings, pencil on paper
21 × 29 cm
Unmade Film - The Voiceover
Surround sound, dimming light
29‘30‘‘
Unmade Film: The Storyboard, 2013
Drawings. Booklet 28x22 16 pages
22 × 28 cm
After The End of History, 2012
drawing
Dream of the Future (Mayakovsky), 2012
photogravure
35,7 × 48 cm
Unmade Film - The Reconnaissance
Audio, 7‘30", wall paper, sandbox
Unmade Film - The Staging, 2012
HD VIDEO
9‘30‘‘
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still, 2012
archival print on Baryta paper, framed
36 × 36 cm
Unmade Film: The Still(10), 2012
archival print on Baryta paper, framed
36 × 36 cm
Etats des lieux, 2011-2012
Pigment ink on paper
100 × 75 cm
Etats des lieux, 2011-2012
Pigment ink on paper
76 × 50 cm
Etats des lieux(untitled) b, 2011-2012
Pigment ink on paper
100 × 75 cm
Holy Precursor, 2011
HD video with sound
14‘13"
AK47, 2010
Archival pigment print on Hahnemule paper
21 × 32,5 cm
Mike, 2010
acrylic on canvas
30 × 30 cm
Porous Present, 2010-2014
c-print
32,5 × 24,5 cm
Porous Present, 2010-2014
c-print
32,5 × 42,5 cm
Porous Present, 2010-2014
c-print
32,5 × 55,5 cm
Porous Present, 2010-2014
c-print
32,5 × 42,5 cm
Porous Present, 2010-2014
c-print
32,5 × 24,5 cm
Porous Present, 2010-2014
c-print
32,5 × 42,5 cm
Porous Present, 2010-2014
c-print
32,5 × 42,5 cm
Porous Present, 2010-2014
c-print
32,5 × 55,5 cm
Remnants of the Future, 2010
HD video with sound
18‘17"
Untitled (Production Still #2), 2010-2011
Pigment ink on paper
90 × 73,5 cm
Untitled (Production Still #3), 2010-2011
Pigment ink on paper
90 × 73,5 cm
Waterlocked, 2010
Four archival prints on Baryta paper
14 × 70 cm