Dora Garcia
Dora García’s work is based on organizing knowledge as a material in its own right. Using extensive documentary research, she delves into complex topics such as the history of the irrational and subconscious mind forging links with the great names of literature, among them, Joyce. Her work folds up into writing, film, installation, and performance, as is centered around stories which she organises and stages, conjuring situations designed to engage the visitor and trigger unique, introspective experiences. The result of this multidisciplinary atlas is a highly conceptual and metaphorical discourse that addresses issues like the artistic dimension of fiction, marginality as a form of resistance, or the symbolic logics that condition our relationship with cultural spaces and products.
García has had solo exhibitions at KIN museum (Swden, 2025); UAM (Madrid, 2025); Fondazione Baruchello (Rome, 2024); M HKA– Museum of Contemporary Art Antwerp (2023); Amant Foundation (New York, 2023); Es Baluard Museu d’Art Contemporani (Palma de Mallorca, 2023); Patio Herreriano Museo de Arte (Valladolid, 2022, 2004); Centro Cultural Conde Duque (Madrid, 2022); European Kunsthalle Wien (Vienna, 2021); Rose Art Museum (Waltham, 2020); MOAD Museum of Art and Design (Miami, 2020); MNCARS Museo Nacional Centro de Arte Reina Sofía (Madrid, 2018, 2008, 2005); MUAC Museo Universitario Arte Contemporáneo (Mexico City, 2017); Fundació Antoni Tàpies (Barcelona, 2017); CA2M Centro de Arte Dos de Mayo (Móstoles, 2017); IVAM Institut Valencià d’Art Modern (Valencia, 2016); Power Plant (Toronto, 2015); Centro José Guerrero (Granada, 2013); Rijksakademie (Amsterdam, 2011); Kunsthalle Bern (2010); Moderna Museet (Stockholm, 2010); CGAC Centro Gallego de Art Contemporánea (2009); MACBA Museu d’Art Contemporani de Barcelona (2009, 2003); Centre d’Art Santa Mònica (Barcelona, 2007); S.M.A.K. Stedelijk Museum voor Actuele Kunst (Ghent, 2006); MUSAC Museo de Arte Contemporáneo de Castilla y León (León, 2005); CAAC Centro Andaluz de Arte Contemporáneo (Sevilla, 1999) and elsewhere.
García represented Spain in the 54th International Art Exhibition La Biennale di Venezia in 2011 and was selected to participate again in the Biennale di Venezia in 2015. She also was chosen for dOCUMENTA (13) in Kassel in 2012; Skulptur Projekte Münster 07 in 2007; and the 8th Istanbul Biennial in 2003.
Annotated Books series, "Letters from Prison, A. Gramsci", 2022
Copy of Letters from prison by Antonio Gramsci, double book created by annotating the first one, with original notes and drawings by the artists, pencil on paper.
13,5 × 21,5 × 3 cm
Letters of Disappointment / Lettere di disincanto, 2022
Installation with 5 books and 10 handwritten letters 15 × 19 cm each
The Bedbug Timeline, 2022
series of 18 pencil on paper
15 × 19 cm
Mad Marginal Charts (ALP), 2020
wall drawings, pencil on wall paper
The Labyrinth of Female Freedom, 2020
Performance, floor painting, drawing on wall/ drawing on paper and gold object, books
L‘Amour, 2018
original pirate copy of the lecture "L‘Amour" by Jacques Lacan, double book created by annotating the first one, with original notes and drawings by the artists, pencil on paper.
Mad Marginal (Tree), 2018
wall drawings, pencil on wall paper
Odradek, 2018
sound installation and objects
Segunda Vez, 2018
Digital film, colore, 16:9, spagnolo, basco, francese e inglese parlato, sottotitoli in italiano, BE/NO, 94’
Todo Estado es ficticio y todo dinero falso(Every state is fictitious and all money is false), 2018
Golden leaf on wall
Mad Marginal (Moon Trou), 2017
wall drawings, pencil on wall paper
Two Planets Have Been Colliding for Thousands of Years , 2017
performance and floor paintings
Exile, 2013
Documents and objects sent by mail to the institutions exhibiting the work in progress
The Sinthome Score, 2013
performance as the reading and study, in body and voice, of seminar XXIII by Jacques Lacan
I read it with golden fingers (Perec), 2011
gold pigment on book
18 × 9,5 × 0,5 cm
The Inadequate, 2011
Series of performances, conversations, theatre, debates at the Spanish Pavilion (54th Venice Biennale, 2011)
The Deviant Majority, 2010
Digital film, 16:9, color, italian, english and brazilian portuguese spoken, 34’
The Romeos, 2009
Performance and printed matter
Prayers, 2020
performance and online project
The Beggar‘s Opera, 2007
performance at Skulptur projekte münster, 2007
The Locked Room , 2002-12