Daniela Ortiz
Daniela Ortiz is a Peruvian artist whose work develops visual narratives and educational tools that analyze the concepts of nationality, racialization, social class, and gender to critically understand colonial, patriarchal, and capitalist power structures from an anti-imperialist perspective.
Her practice has focused on exposing the European immigration control system, its ties to colonialism, and the way institutional racism is used to impose violence on migrant communities and racialized working classes, while also highlighting forms of resistance against these systems. Since her return to Peru, her work has addressed internationalist solidarity, care from a political perspective, mechanisms of repression and persecution through counterterrorism policies, as well as anti-imperialist revolutionary processes of the 20th and 21st centuries.
In her early works, Ortiz explored the Peruvian elites, their exploitative relationship with domestic workers, and the role of the ruling classes in the mining industry. More recently, her practice has returned to manual and figurative techniques, working with painting, ceramics, collage, drawing, children’s books, theater, and puppetry.
Her work is included in the collections of the Museo Nacional Centro de Arte Reina Sofía (MNCARS), the Museu d‘Art Contemporani de Barcelona (MACBA), the Centre national des arts plastiques (CNAP), the Cisneros Fontanals Art Foundation (CIFO), the Fondazione Sandretto Re Rebaudengo, the Museo Centro de Arte Dos de Mayo (CA2M), and the Kunsthaus Zürich, among others.
In 2026, she was selected for the residency program at the Spanish Academy in Rome. Previously, she completed residencies at Kadist (Paris), Darat al Funun (Amman), and Matadero (Madrid).
She has received, among other honors, the Oelle Mediterraneo Art Prize (2024), the Prince Claus Fund CAREC Fellowship (2024), the Follow Fluxus Kunstverein Wiesbaden grant (2023), the Eyebeam Democracy Machine Fellowship (2022), the Illy SustainArt Prize (2021), the Barcelona Producció grant (2013), the CIFO Grants & Commissions Program grant (2012), and the Guasch Coranty grant from the University of Barcelona (2011).
In addition to her artistic practice, Daniela Ortiz is a mother of three, gives lectures and workshops internationally, is an outspoken supporter of Chávez, supports the resistance of the Palestinian people, and is deeply committed to the anti-imperialist struggle and the revolutionary processes of the Latin American peoples.
Tiro al Blanco, 2024
Performance with 79 targets acylic on metal, wood toys, ceramic books, wool puppets, rifles, metal structure in 3 parts 2,2 x 3,7 x 0,7 m, curtain 4,2 x 4,8 m
Tiro al Blanco (Krupp), 2024
Shooting at Blanco (Krupp), 2024, /series of 17 acrylics on metal support (irregular sizes)
Anteo Zamboni (1911-1926), 2023
Wool embroidery
170 × 100 cm
I figli dei comunisti (Guatemala - EGP), 2023
Series of 16 matryoshkas, acrylic on wood
21 × 9,5 cm
I figli dei comunisti (Las Abuelas de Plaza de Mayo), 2023
Series of matrioskas, acrylic on wood
21 × 9,5 cm
I figli dei comunisti (Olga Benario), 2023
Series of matrioskas, acrylic on wood
70 × 19 cm
I figli dei comunisti (Patrice Lumumba), 2023
Series of matrioskas, acrylic on wood
21 × 9,5 cm
The Children of the Communists (Study - Faris Odeh), 2023
Collage, mixed media
46 × 34 cm
The Children of the Communists (Study - Olga Benario), 2023
Collage, mixed media
46 × 34 cm
The Children of the Communists (Study - Peter Pan Operation), 2023
Collage, mixed media
46 × 34 cm
The Brightness of Greedy Europe, 2022
wood puppet theatre, 14 puppets wood hand-carved, sewn, knitted and embroidered costumes (25 cm each), wood toy model truck (58 x 30 x 27 cm), 6 dolls, 3 curtains
The Rebellion of the Roots (France) I, 2022
series of 4 Acrylics on wood
30 × 20 × each cm
The Rebellion of the Roots (France) II, 2022
series of 4 Acrylics on wood
30 × 20 cm
The Rebellion of the Roots (France) III, 2022
series of 4 Acrylics on wood
30 × 20 cm
Samuel and Naseb, a resistance Story in Seven Pranks, 2021
Installation with 15 paintings
60 × 40 cm
The children are not of the Wolf, 2021
installation with one painting 73 x 232 cm, five puppets wood hand-carved, sewn, knitted and embroidered costumes and audio 13’47”
Anti-colonial prayer to Fernandito Tupac Amaru Bastidas, 2020
series of four acrylic paint on wood
20 × 30 cm
Risk Factors, 2020
Digital print on photographic paper 120 x 200 cm, 49 legal forms 29.7 x 21.2 cm each
Empire of the Law, 2019
HD single-channel video, color, sound, 30‘12”
30‘12”
Europe will kneel to receive the anti-colonial spirit, 2019
4 Lightbox, digital print on fabric
170 × 100 × 15 cm
Walter, 2019
Wood, plastic and acrylic on wood , ambiental dimension
Anti-colonial monuments, 2018
series of six sand painted clays
ABC of Racist Europe, 2017
26 Fine Art Print on Hahnemüle paper
30 × 30 cm
Jus Sanguinis, 2016
Video, 3’ 29”, color, sound, digital print framed 32 x 40,5 cm
FDTD, 2012
5‘06‘‘
Maids Room (Casa Capurro), 2012
1 image 70 x70 cm; 4 images 33 x 33 cm, Photographs
Maids Room (Casa la Planicie), 2012
1 image 70 x70 cm; 4 images 33 x 33 cm, Photographs
Maids Room (Casa San Isidro), 2012
1 image 70 x70 cm; 3 images 33 x 33 cm, Photographs
Arma Blanca, 2011
Installation, 24 digital prints, B/W mounted on diasec.Video, 8’ 20”
14,8 × 21 cm
97 House Maids, 2010
Coloured prints on paper
P1-P2, 2010
5 digital prints, 3 letters + 2 floor plans
S-T, 2009\
Chromogenic photograph
70 × 100 cm